About View Collection

What Is This?

Much like the Chinese concept of Chi, Àshe represents the spiritual life force that flows through all. And given that this body of work was birthed through what I call Flow – my meditative process of creating fluid lines in a slow, focused way, often with no predetermined goal in mind – I couldn’t help but feel that it was all Àshe incarnate. So in many ways, Àshe is Flow.

Furthermore, the style draws from the essence of Afrikan alphabets and symbology, to create this Àshe inspired dynamic nexus of line movements, which symbolize the deep feeling of interconnectedness with all life; a feeling that is experienced when one is fully present, here and now. Elements of Adinkra, Bantu, Vai, Mende, Nsibidi, and several other Afrikan symbols and syllabaries are blended into many of the pieces in this style, with the intention of exposing them to a wider audience. The hope is to help educate viewers in some way about the depth, profundity, and expressive beauty of Afrika's largely overlooked writing systems and our wrongly denigrated rich history.

In the words of Saki Mafundikwa, Zimbabwean graphic designer, and founder of Zimbabwe Institute of Vigital Arts:

"Afrikan alphabets are a way of expressing ideas, systems of thought, thought processes, cultural imperatives, aesthetic preferences, and spirit. Afrikan alphabets are one of the important keys to help unlock what has been kept hidden from so many for so long: that these alphabets with their deeply meaningful graphic construction show the intelligence and ingenuity of Afrikan peoples."
In combining the concept of Àshe, my meditative process of Flow and Afrikan symbology in this way, I have discovered something which I wish connects with the Àshe in you. I hope you help spread this knowledge and art form by sharing a link to this website and/or purchasing a piece in this style, thank you.

Who Am I?

This story and evolving body of work was created by Isaac Opoku, a Ghanaian interactive designer and mixed media artist whose work is primarily inspired by a deep sense of interconnectedness with all life. His style, often afrocentric & quite psychedelic, usually employs an abstract twist, which seeks to engender a sense of wonder in a viewer’s mind, challenge conventional perspectives and also demonstrate the power of imagination. Though his work explores various political & relevant social themes on occasion, it is also usually evocative of art as play, art as meditation, art as being.
Àshe: Spirit of Flow
Àshe literally means "So be it," "May it happen."
"In Yoruba religion, the concept of Àshe represents spiritual command, the power-to-make-things-happen, God's own enabling light rendered accessible to men and women."

(Thompson, Robert Farris. Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House, 1983. Print.)
"A thing or a work of art that has Àshe transcends ordinary questions about its makeup and confinements: it is divine force incarnate. All have Àshe."

(Thompson, Robert Farris. Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House, 1983. Print.)
Àshe is life.
The Yoruba believe themselves descended from goddesses and gods, each essentially a unique manifestation of Àshe, the power-to-make-things-happen, a key to futurity and self-realization.

(Thompson, Robert Farris. Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House, 1983. Print.)
"According to the Yoruba: The gods have 'inner' or 'spiritual' eyes (ojú inún) with which to view the world of men and women. When a person comes under the influence of a spirit, his ordinary eyes swell to accomodate the inner eyes, the eyes of the god. He will then look very broadly across the whole of all the devotees, he will open his eyes abnormally."

(Thompson, Robert Farris. Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House, 1983. Print.)
"The radiance of the eyes, the magnification of the gaze, reflects Àshe, the brightness of the spirit."

(Thompson, Robert Farris. Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House, 1983. Print.)
Àshe is Flow.
"The supreme deity, God Almighty, is called in Yoruba Olorun, master of the skies. Olorun is neither male nor female but a vital force. In other words, Olorun is the supreme quintessence of Àshe."

(Thompson, Robert Farris. Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House, 1983. Print.)
Àshe is love.
"Àshe may also be present in a drop of semen or a drop of blood — for many Yoruba, red, 'supreme presence of color,' signals Àshe and potentiality."

(Thompson, Robert Farris. Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House, 1983. Print.)
Àshe is You.
And most of all, "Àshe is untranslatable."

(Thompson, Robert Farris. Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House, 1983. Print.)
View Collection